IELTS Speaking Parte 2 y 3: Describe a music event that you didn't enjoy
Tarjeta de referencia de la parte 2
Describe a music event that you didn't enjoy
Deberías decir:
- que fue
- con quien fuiste
- ¿Por qué decidiste ir allí?
- Y explica por qué no lo disfrutaste.
Tendrás uno o dos minutos para hablar sobre este tema.
Estado de preparación: ciclo de tema previsto. Este recurso de práctica independiente no es un documento oficial del IELTS y las preguntas de su examen pueden ser diferentes. Cómo se etiquetan los temas.
Preguntas de discusión de la parte 3
Mueva una pregunta a la vez: escuche, responda, compare y vuelva a intentarlo. El texto completo de la pregunta permanece en la página HTML para accesibilidad y búsqueda.
- 01What kind of music events do people like today?
- 02Do you think children should receive some musical education?
- 03What are the differences between old and young people's music preferences?
- 04What kind of music events are there in your country?
- 05Why do many people like listening to music while doing sports?
- 06What are the differences between listening to music at home and at a live concert?
Vea el tema antes de hablar.
Utilice las imágenes como sugerencias de ideas. Describe lo que notas, conéctalo con tu experiencia y luego responde la pregunta real.


Respuestas modelo, escuchadas una al lado de la otra
Comience con la respuesta más simple, cambie Band para escuchar cómo se puede desarrollar la misma tarea y luego registre una respuesta personal. Estos son ejemplos de enseñanza, no respuestas oficiales ni garantías de puntuación.
Parte 2: Respuesta modelo
Part 2 cue-card response
I want to talk about a pop festival I went to last year which I didn’t enjoy. It was an outdoor day festival with several bands and DJs. I went with two friends because we all liked the headliner and tickets were quite cheap. We decided to go because it sounded like a fun day out and we thought the crowd would be friendly. But it turned out to be overcrowded and the sound was very bad — the singer’s voice was often drowned out. There were long queues for everything and we got wet in a sudden shower. In the end we left early because we were tired and couldn’t hear the music properly.
Last summer I went to an outdoor pop festival that I’d been looking forward to but ended up not enjoying at all. The event was advertised as a day-long line-up of well-known bands and a couple of DJs from around Europe, with the main act billed to play at dusk; the programme even promised a fireworks finale. I went with two close friends who’d booked tickets months earlier; we’d pooled money for travel and planned to camp overnight to make a weekend of it. We decided to go because the headliner was a band we’d wanted to see for years and the ticket price was reasonable, plus there was a campsite option that sounded like a good social experience. Sadly, the whole day was spoiled by massive entrance queues — it took nearly two hours to get in and a sudden heavy shower soaked everyone waiting — and the sound engineering was awful, with the vocals buried under distorted bass; for example, during the headliner’s set the singer was almost inaudible. On top of that the crowd was uncomfortably packed and people were pushing, so poor organisation, bad sound and overcrowding ruined what should have been an enjoyable day out.
Parte 3: Respuestas modelo
What kind of music events do people like today?
Nowadays people enjoy a lot of different music events. Popular choices are outdoor festivals, small club gigs and stadium concerts for big acts. Some people still go to classical concerts or jazz nights. There’s also a lot of online streamed shows that people watch from home.
Today audiences go to a broad mix of events: huge multi-day festivals, intimate acoustic gigs in small venues, and themed club nights with DJs. There’s also a growth in hybrid events — live shows that are streamed to online viewers — and immersive concerts that combine visuals and lighting to create an experience rather than just music. People pick events depending on budget, social plans and the kind of atmosphere they want.
Do you think children should receive some musical education?
Yes, I think children should learn some music. It helps them with rhythm and listening and can be fun. Lessons like singing or recorder in school give them confidence and teamwork skills. Even a little music education is better than none.
Absolutely — basic musical education offers clear benefits beyond just learning songs. It can boost language development, concentration and memory, as well as social skills through ensemble work; for instance, singing in a school choir teaches children to listen to others and keep in time. Even short, regular lessons in primary school—learning rhythm, simple instruments or notation—can spark a lifelong interest and open up opportunities later on.
What are the differences between old and young people's music preferences?
Young people usually prefer pop, hip-hop or electronic dance music, while older people often like classical, jazz or music from their youth. But tastes overlap — many older people enjoy modern artists and young people sometimes like old classics. Personal taste and experience matter a lot.
Differences often come from life stage and exposure: young people tend to favour contemporary genres like pop, hip‑hop and EDM, which are promoted heavily on social media and streaming platforms, while older generations often prefer the music that defined their youth — be that rock, soul or classical. Nostalgia plays a big part for older listeners, whereas younger audiences chase novelty and trends. That said, tastes are fluid: some older people adopt new styles and younger listeners explore older music, especially as playlists make everything accessible.
What kind of music events are there in your country?
In my country there are big summer festivals, city concerts, classical orchestra seasons and small gigs in pubs or clubs. You can also find charity concerts and school performances. Many towns hold open-air music events in the summer.
There’s quite a wide range: large outdoor music festivals in the summer attract international acts, while urban centres host regular theatre and concert-hall seasons for classical and contemporary music. Smaller venues offer weekly live gigs and jazz nights, and community choirs or amateur orchestras run concerts throughout the year. We also see multicultural festivals that showcase music from different communities, and charity benefit concerts are common, especially around major holidays.
Why do many people like listening to music while doing sports?
People like music while exercising because it motivates them, makes exercise less boring and helps keep a steady pace. Fast tracks can make you move quicker and singing along can distract you from tiredness.
Many people use music as a psychological tool during exercise: it can lift mood, increase motivation and mask discomfort, which helps you push harder. Tempo matters too — runners or cyclists often choose tracks with a matching beats-per-minute to keep cadence steady. Playlists tailored to different workout phases, and easy access via phones and streaming services, make it simple to use music to regulate effort and enjoyment during sport.
What are the differences between listening to music at home and at a live concert?
Listening at home is relaxed and you can control the volume, choose songs and repeat them. A live concert has more atmosphere, energy and you can see the performers on stage. At a concert it’s louder and more social, but you have less control.
The key difference is control versus atmosphere. At home you can choose tracks, adjust sound levels, use high‑quality equipment and listen closely to production details; it’s private and convenient. A live concert, meanwhile, offers an immersive, communal experience — the physical presence, the visual staging and spontaneous moments like improvisation make it unique, even if sound balance isn’t perfect. Live events also create strong memories and a sense of connection you don’t get from a streamed version at home.
Cómo responder Describe un evento musical que no te haya gustado Preguntas de expresión oral del IELTS
Para la tarjeta de referencia Describe un evento musical que no disfrutaste, usa el minuto de preparación para construir una ruta a través de la charla. Elija un tema claro, agregue dos momentos o detalles específicos y termine explicando por qué es importante. Luego utilice las preguntas vinculadas de la Parte 3 para practicar explicaciones y comparaciones más amplias.
Indicaciones de la tarjeta de referencia:
- que fue
- con quien fuiste
- ¿Por qué decidiste ir allí?
- Y explica por qué no lo disfrutaste.
- Apertura: identificar a la persona, lugar, objeto o evento.
- Desarrollo: describir dos detalles o momentos en un orden lógico.
- Ampliación: explicar un motivo, resultado, comparación o problema.
- Reflexión: terminar con por qué el tema es memorable o importante.
Enfoque pregunta por pregunta
| pregunta de práctica | movimiento de respuesta útil |
|---|---|
| What kind of music events do people like today? | Primero nombra el objeto y luego describe una característica o ejemplo específico. |
| Do you think children should receive some musical education? | Indique una opinión probable, explique el motivo y agregue una condición o ejemplo. |
| What are the differences between old and young people's music preferences? | Primero nombra el objeto y luego describe una característica o ejemplo específico. |
| What kind of music events are there in your country? | Primero nombra el objeto y luego describe una característica o ejemplo específico. |
Enfoque de vocabulario
El lenguaje útil ya demostrado en las respuestas modelo incluye immersive concerts, hybrid events, intimate gig, ensemble work, boosts concentration, lifelong interest, nostalgia, life stage. Aprenda el significado y una asociación natural de palabras, luego use cada elemento en una respuesta diferente en lugar de copiar un guión completo.
Errores comunes a evitar
- Dar una respuesta memorizada que responda sólo parcialmente a la pregunta.
- Agregar vocabulario difícil sin verificar el significado o la colocación.
- Reiniciar después de cada error en lugar de corregir brevemente y continuar.
- Leer la respuesta modelo antes de grabar su primer intento.
Describe un evento musical que no te haya gustado. Practica las preguntas frecuentes.
¿Cómo debo utilizar el minuto de preparación de la tarjeta de referencia Describe un evento musical que no te haya gustado?
Escribe palabras clave para una apertura, dos o tres detalles y una reflexión final. No intentes escribir oraciones completas.
¿Tengo que cubrir cada viñeta de la tarjeta de referencia?
Las indicaciones le ayudarán a organizar la charla. Cubrirlos es útil, pero una respuesta coherente de uno a dos minutos es más importante que marcar mecánicamente cada línea.
¿Cómo se conectan las preguntas de la Parte 3 con la Parte 2?
Desarrollan el mismo tema amplio a través de razones, comparaciones, efectos sociales o posibilidades futuras, por lo que las respuestas normalmente necesitan más explicaciones que la Parte 1.